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project: Internet Law Copyright Law Introduction Issues & short answers Previous state of the law Discussion The DMCA Linking Framing Digital Music Future of the Law Authorities Cited |
IV. Discussion A.
The Digital Millennium Copyright Act The DMCA and its roots The DMCA,
enacted on October 28, 1998, attempts to adapt copyright law to the new
medium of the Internet. Treaties of the World Intellectual Property
Organization ("WIPO") prompted enactment of the DMCA. In
order to comply with WIPO obligations, Congress enacted prohibitions against
the circumvention of technological protection measures employed by copyright
owners, and against the removal or alteration of copyright management
information. The DMCA also incorporated the Online Copyright Infringement
Liability Limitation Act ("OCILLA") into US law, providing a
safe harbor that significantly limits the liability of ISPs for copyright
infringement. Title I of the DMCA: Prohibitions against the circumvention of technological
protection measures Section 103
of the DMCA adds a new chapter 12 to the Copyright Act that implements
an obligation to provide adequate protection against circumvention of
technological measures used by copyright owners to protect their works.
Section 1201
prohibits circumvention of technological measures that effectively control
access to a copyrighted work. Savings clauses and exceptions Section 1201
contains savings clauses and exceptions. Section 1201(c)(1) proclaims
that nothing in § 1201 shall affect rights, remedies, limitations,
or defenses to copyright infringement, including fair use. Prohibitions in §
1201 are subject to a number of exceptions. Law enforcement, intelligence,
and other governmental activities are exempted from the operation of the
entire section. Title I of the DMCA: Prohibitions against the removal or alteration of copyright management information Title I of the DMCA protects the integrity of copyright management information
("CMI"). CMI is defined as: information about (1) the work;
(2) the author; (3) the copyright owner; and in certain cases, (4) the
performer, (5) the writer or director of the work, as well as (6) the
terms and conditions for use of work, and such other information that
(7) the Register of Copyrights may prescribe by regulation. Exceptions Section 1202
includes a general exemption for law enforcement, intelligence and other
governmental activities. Title II of the DMCA: OCILLA's safe harbor for ISPs Title II of the DMCA adds §
512 to the Copyright Act, which creates new limitations on direct,
contributory or vicarious liability for copyright infringement by ISPs.
The limitations are based on the following four categories of ISP conduct:
(1) transitory digital network communications; Section 512
defines those ISPs and ISP functions shielded by its provisions. In order
to invoke the limitation based on transitory digital network communications,
the ISP must be an "an entity offering the transmission, routing,
or providing of connections for digital online communications, between
or among points specified by user, of material of the user's choosing,
without modification to the content of the material as sent or received." The DMCA's potential impact on case law As the DMCA's enactment is still recent there is relatively little case
law interpreting its key provisions. Given their importance decisions
should not be long in coming. [index] B.
Linking A link is an embedded electronic address on one a page served by site
(hereinafter, the "original site") that points to another web
location (hereinafter, the "linked site"). Potential copyright infringement via linking: direct and secondary liability A link may potentially generate an unauthorized access and transmission
of the destination material, violating such exclusive rights as reproduction,
distribution and display. A link may also create an unauthorized derivative work, violating that
exclusive right. There are two views: On the one hand, one could argue
that the material on the linked site is neither altered by the link nor
incorporated into the original site, and thus no derivative work has been
created. On the other hand, one could treat a website as a virtual collective
work with links producing incorporation of linked material into that collective
work. If the linked site material enhances the value of the original site,
the linked site owner might argue that the original site is based upon
the linked site, therefore constituting a derivative work. In addition to issues of direct infringement, if the linked site contains
infringing material, the link could give rise to secondary liability of
the original site, subject, however, to the limitations of § 512
of the Copyright Act. The fair use defense Where website owners have not indicated otherwise authority to link may
be implied, on a theory that by placing material on the Web the copyright
holders have indicated a desire for their material to be disseminated
as widely as possible to the public. Fair use is a second possible defense.
Implied permission can presumably be negated by clear indications to the
contrary and linked site owners can, in some cases, argue that links cause
such harm as should defeat a fair use defense. Links can cause harm in
several ways: nonconsensual links may result in burdensome amounts of
traffic; or, if the original site is somehow undesirable to the linked
site, such linking might diminish the commercial value of the copyrighted
material on the linked site. Case law A case from Scotland, holding that headlines from a news website could
be considered copyrightable literary works, exemplifies how a link can
cause harm and thus infringement. Under U.S. law, a collection of headlines might be copyrightable as a
compilation. Another series of linking infringement cases involves Ticketmaster. In
Ticketmaster
Corp. v. Microsoft Corp.,
No. 97 Civ. 3055 (C.D. Cal. filed Apr. 28, 1997), Ticketmaster brought
an action against Microsoft based on links from Microsoft's "Seattle
Sidewalk" website to Ticketmaster's website. Ticketmaster asserted a claim of copyright infringement. Arguing that
in creating the links, Microsoft copied onto its own computers the copyrighted
contents of Ticketmaster's website and, in operating the links, Microsoft
was reproducing, publicly distributing, and displaying without permission
Ticketmaster's copyrighted website material. The parties settled their dispute in 1999 on terms that are confidential.
Ticketmaster has revealed that Microsoft agreed to cease its practice
of linking to pages deep within Ticketmaster's website. Microsoft's links
now point to Ticketmaster's home page, where advertisers have purchased
screen real estate. Ticketmaster
Corp. v. Tickets.com, Inc., No. CV99-7654-HLH, 2000 U.S. Dist. LEXIS
12987 (C.D. Cal. Aug. 19, 2000) is another case in which Ticketmaster
filed suit for alleged infringing linking activity by a competitor. The court ruled that the only activity constituting possible copyright
infringement was the copying of Ticketmaster's webpages to a local server
for extraction of the information they contained. By holding that it was
necessary to copy the electronic signals temporarily on the copying computer's
RAM Courts tend to separate the activity of non-infringing linking from other
aspects of a plaintiff's potential copyright infringement claim. The court
in Universal
City Studios, Inc. v. Reimerdes,
111 F. Supp. 2d 294 (S.D.N.Y. 2000) went so far as to imply the possible
chilling effect of a rule resting liability on Internet links. The court in Bernstein v. J.C. Penney Inc., 50 U.S.P.Q.2d 1063
(C.D. Cal. 1998) discussed the implications of multiple linking. Defendant advanced several arguments. First, it argued that a company
whose product is merely displayed on another entity's website cannot be
held liable for any infringement by the website's author. Second, the
defendant argued that linking cannot constitute direct infringement because
the server of the linking website does not copy or otherwise process the
content of the linked-to site. Finally, it argued that multiple linking
cannot constitute contributory infringement because: (1) net users' viewing
of material at issue is not infringing and thus there was no direct infringement;
(2) linking is capable of substantial non-infringing use and thus cannot
support a claim for contributory infringement; and (3) multiple linking
does not constitute substantial participation in any infringement in which
the linking website does not mention the fact that net users could, by
following the links, find infringing material on another website. In Los Angeles
Times et al. v. FreeRepublic.com, 4 ILR (P&F) 112, No. 98-7840
(AJW) (S.D. Cal. Nov. 8, 1999) the court suggested that direct linking
to internal pages of websites is a permissible alternative to copying
online materials. Thus, courts are in general agreement that the activity of linking in
and of itself does not give rise to copyright infringement liability.
Moreover, current case law suggests that linking will not constitute direct
infringement if the server of the linking website does not copy or otherwise
process the content of the linked-to site. It remains to be seen whether
courts will further distinguish linking from deep linking. [index] C.
Framing Framing allows website creators to incorporate content from remote sites
wholesale into pages served by their own websites, allowing viewers of
the web page to view that content without leaving the original page. Potential copyright infringement liability for framing One of the first cases to deal with possible copyright infringement liability
arising from the activity of framing was Washington
Post Co. v. TotalNews, Inc.,
No. 97 Civ. 1190 (S.D.N.Y. filed Feb. 22, 1997). Plaintiffs claimed that TotalNews republished plaintiffs' material on
its own site and thereby infringed on plaintiff's copyright. Similarly, the court in Futuredontics v. Applied Anagramics, Inc.,
45 U.S.P.Q.2d (BNA) 2005 (C.D. Cal. 1998) held defendant liable
for infringement on the ground that defendant created an unauthorized
derivative work through framing. Plaintiff alleged that defendant's framing created an unauthorized derivative
work. Hard Rock Café Int'l (USA), Inc. v. Morton, No. 97 Civ.
9483, 1999 U.S. Dist. LEXIS 8340 (S.D.N.Y. June 2, 1999), though not a
copyright case, dealt with framing in the analogous context of trademark
infringement. In sum, courts tend to find infringement in cases that involve framing.
In doing so they give a variety of reasons; courts have found copyright
infringement when it has concluded that the framed links might deceive
users as to the origin of the linked content or that the framed links
have created an unauthorized derivative work. Courts recommend text-based,
no-frames links as an alternative that will not give rise to copyright
infringement liability. [index] D.
Digital Music Regulation Many suits have recently arisen regarding the liability of websites that
index, post links to, or actually post, music content. Publishing companies
and their associations have filed a variety of suits against alleged infringers
for copying commercial albums without authorization. Potential infringement liability for users and providers: the Napster
case The most publicized case in the recent line of litigation regarding the
regulation of digital music dissemination over the Internet is A&M
Records, Inc. v. Napster, Inc.,
239 F.3d 1004 (9th Cir. 2001). Record companies sued Napster, alleging contributory and vicarious copyright
infringement. In July 2000, the Northern District of California granted
the plaintiffs' motion for a preliminary injunction, modified somewhat
by a later opinion, ruling that Napster was not entitled to the safe harbor
provisions of Title II of the DMCA. The Ninth Circuit held that, while the district court correctly recognized
that a preliminary injunction was required, the injunction was overbroad
because it placed on Napster the entire burden of ensuring that no "copying,
downloading, uploading, transmitting, or distributing" of plaintiffs'
works occurred on the system. In commenting on the application of the DMCA, the Ninth Circuit court
held that it need not accept a blanket conclusion that §
512 of the DMCA will never protect secondary infringers. On remand, the district court preliminarily enjoined Napster from engaging
in, or facilitating others in, copying, downloading, uploading, transmitting,
or distributing copyrighted sound recordings. The district court also
ordered plaintiffs to provide notice to Napster of their copyrighted sound
recordings by providing the names of files available on the Napster system
containing such work. Potential infringement liability for users and providers: other cases In UMG
Recordings, Inc. v. MP3.Com, Inc. 92 F. Supp. 2d 349 (S.D.N.Y. 2000),
the court granted summary judgment in favor of the recording industry
against the defendant's creation of an online MP3 library by copying commercial
albums without authorization. In Arista Records, Inc. v. MP3Board, Inc., No. 00-20606 (N.D.
Cal. June 2, 2000) a major record label filed a copyright infringement
action against MP3Board. While each of these music file sharing systems is unique, courts appear inclined to find some infringement liability, particularly if the system constitutes copying copyright-protected material from commercial albums. [index]
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