19 Tex. Admin. Code § 117.312 - Music, Level III (One Credit), Adopted 2013
(a) General requirements. Students may
fulfill fine arts and elective requirements for graduation by successfully
completing one or more of the following music courses: Band III, Choir III,
Orchestra III, Jazz Ensemble III, Jazz Improvisation III, Instrumental Ensemble
III, Vocal Ensemble III, World Music Ensemble III, Applied Music III, Mariachi
III, Piano III, Guitar III, Harp III, International Baccalaureate (IB) Music
Standard Level (SL), or IB Music Higher Level (HL) (one credit per course). The
recommended prerequisite for IB Music SL is one credit in music. The
prerequisite for all other Music, Level III music courses is one credit of
Music, Level II in the corresponding discipline.
(b) Introduction.
(1) The fine arts incorporate the study of
dance, music, theatre, and the visual arts to offer unique experiences and
empower students to explore realities, relationships, and ideas. These
disciplines engage and motivate all students through active learning, critical
thinking, and innovative problem solving. The fine arts develop cognitive
functioning and increase student academic achievement, higher-order thinking,
communication, and collaboration skills, making the fine arts applicable to
college readiness, career opportunities, workplace environments, social skills,
and everyday life. Students develop aesthetic and cultural awareness through
exploration, leading to creative expression. Creativity, encouraged through the
study of the fine arts, is essential to nurture and develop the whole
child.
(2) Four basic
strands--foundations: music literacy; creative expression; historical and
cultural relevance; and critical evaluation and response--provide broad,
unifying structures for organizing the knowledge and skills students are
expected to acquire. The foundation of music literacy is fostered through
reading, writing, reproducing, and creating music, thus developing a student's
intellect. Through creative expression, students apply their music literacy and
the critical-thinking skills of music to sing, play, read, write, and/or move.
By experiencing musical periods and styles, students will understand the
relevance of music to history, culture, and the world, including the
relationship of music to other academic disciplines and the vocational
possibilities offered. Through critical listening, students analyze, evaluate,
and respond to music, developing criteria for making critical judgments and
informed choices.
(3) Statements
that contain the word "including" reference content that must be mastered,
while those containing the phrase "such as" are intended as possible
illustrative examples.
(c) Knowledge and skills.
(1) Foundations: music literacy. The student
describes and analyzes music and musical sounds. The student develops
organizational skills, engages in problem solving, and explores the properties
and capabilities of various musical idioms. The student is expected to:
(A) evaluate exemplary musical examples using
technology and available live performances;
(B) explore musical textures such as
monophony, homophony, and polyphony while using a melodic reading
system;
(C) compare and contrast
concepts of music notation, intervals, and chord structure using appropriate
terminology;
(D) compare and
contrast concepts of rhythm and meter using appropriate terminology and
counting system;
(E) compare and
contrast musical forms such as song, binary, ternary, rondo, and sonata-allegro
selected for performance and listening;
(F) compare and contrast concepts of balance
and blend using appropriate terminology;
(G) compare and contrast musical styles and
genres such as cantata, opera, zydeco, motet, hip-hop, symphony, anthem, march,
beats, musical theatre, gospel jazz, and spirituals;
(H) compare and contrast concepts of music
such as rhythm, meter, melody, harmony, texture, key, expression markings,
dynamics, and timbre using literature selected for performance; and
(I) apply health and wellness concepts
related to music practice such as body mechanics, hearing protection, vocal
health, hydration, and appropriate hygienic practices.
(2) Foundations: music literacy. The student
reads and notates music using an appropriate notation system. The student is
expected to:
(A) read and notate music that
incorporates melody and rhythm; and
(B) interpret music symbols and expressive
terms referring to style, dynamics, tempo, and articulation.
(3) Creative expression. The
student demonstrates musical artistry by singing or playing an instrument
individually and in groups. The student performs music in a variety of genres
at an increasing level of difficulty. The student performs from notation and by
memory as appropriate. The student develops cognitive, affective, and
psychomotor skills. The student is expected to:
(A) demonstrate mature, characteristic sound
appropriate for the genre;
(B)
refine and apply psychomotor and kinesthetic skills such as appropriate
posture, breathing, text, diction, articulation, vibrato, bowings, fingerings,
phrasing, independent manual dexterities, and percussion techniques;
(C) demonstrate rhythmic accuracy using
appropriate tempo;
(D) demonstrate
observance of key signatures and modalities;
(E) demonstrate correct intonation,
appropriate phrasing, and appropriate dynamics; and
(F) create and notate or record original
musical phrases at an appropriate level of difficulty.
(4) Creative expression. The student sight
reads, individually and in groups, by singing or playing an instrument. The
student reads from notation at an increasing level of difficulty in a variety
of styles. The student is expected to:
(A)
exhibit mature, characteristic sound appropriate for the genre while sight
reading;
(B) refine and apply
psychomotor and kinesthetic skills such as appropriate posture, breathing,
text, diction, articulation, vibrato, bowings, fingerings, phrasing,
independent manual dexterities, and percussion techniques while sight
reading;
(C) demonstrate correct
articulation and rhythmic accuracy while sight reading using a counting system
within an appropriate tempo;
(D)
demonstrate observance of multiple key signatures and changing modalities while
sight reading;
(E) demonstrate use
of a melodic reading system such as solfege, numbers, letter names, note names,
or scale degrees while sight reading;
(F) demonstrate application of dynamics and
phrasing while sight reading; and
(G) demonstrate accurate intonation while
sight reading using concepts such as vowel shapes, ensemble blend, and just
intonation.
(5)
Historical and cultural relevance. The student relates music to history,
culture, and the world. The student is expected to:
(A) classify representative examples of music
by genre, style, culture, and historical period;
(B) explore the relevance of music to
societies and cultures;
(C) define
the relationships between music content and concepts and other academic
disciplines;
(D) analyze
music-related career options;
(E)
analyze and evaluate the impact of technologies, ethical issues, and economic
factors on music, performers, and performances; and
(F) generate tools for college and career
preparation such as electronic portfolios, personal resource lists, performance
recordings, social media applications, repertoire lists, auditions, and
interview techniques.
(6)
Critical evaluation and response. The student responds to and evaluates written
music and musical performance in formal and informal settings. The student is
expected to:
(A) exhibit informed concert
etiquette as a performer and an audience member during live and recorded
performances in a variety of settings;
(B) create and apply specific criteria for
evaluating performances of various musical styles;
(C) create and apply specific criteria for
offering constructive feedback using a variety of music performances;
(D) develop processes for self-evaluation and
select tools for personal artistic improvement such as critical listening and
individual and group performance recordings; and
(E) evaluate musical performances by
comparing them to similar or exemplary models and offering constructive
suggestions for improvement.
Notes
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